故(gù )事(shì )发(fā )生(⛳)(shēng )在墨西哥城的一个(🍠)中产阶级(jí )社(💎)区“罗马(📕)”,讲述(shù )年(nián )轻(🍾)女佣克里奥((👮)雅利扎(🦂)·阿(ā )巴(🚃)(bā )里(lǐ(🔄) )西(xī )奥饰)在(🔜)雇主索菲亚(玛丽娜(🔠)·德·塔维拉(🐅)饰)家(🛎)(jiā )中(zhōng )工(gōng )作(💙),该家中索菲亚的(🥑)丈夫(🍱)长(zhǎng )期(qī(🐙) )在外,由(🍈)女佣克里(lǐ )奥(🐄)(ào )照顾(🀄)索菲的四个孩(🅾)子。突如(rú )其(qí(🛑) )来(lái )的(🙇)(de )两个意外(🍚),同时(📂)砸中了女佣克里(🥧)奥和雇主索菲亚(yà ),两(🏠)(liǎng )人(rén )究(jiū )竟(🤝)该如何(🗓)面对苦涩茫然(🕔)的(de )生(shēng )活?四(✌)位孩子(🏎)似乎是(shì(🍷) )希(xī )望(🍄)所在。 这是以导(💗)演阿方(fāng )索(suǒ )·卡(kǎ(✝) )隆(lóng )的儿时记(🆖)忆铸成(🥖)的影片,而卡隆(🚍)其实就是片中某(🏓)(mǒu )一(🍥)(yī )位(wèi )小(🚡)(xiǎo )孩。
《被(🥄)遗忘的季节》是(🏥)一(yī )部(🕒)(bù )惊悚片,讲述(🤔)了一(yī )个(gè )平(🍈)凡的人(💜)在成为杀(👫)人犯(🏿)的过(guò )程(chéng )中(zhō(🐾)ng )出(chū )现的互助、放任(🆔)等人类心理。将(⏬)平凡而(👬)又寒心的(de )无(wú(🎤) )业(yè )游(yóu )民(mí(🍾)n )设定为(💆)犯人,将弟(🤬)弟设定(🕷)(dìng )为(wéi )充满出(👽)人头地欲望的(de )记(jì )者(🏞),将偶发性的一(😁)次杀人(🍸)(rén )与(yǔ )另(lìng )一(⛏)(yī )个(gè )个人的欲(😊)望相(🐦)遇,如何演(🦊)变成连(😊)环杀人,平凡的(➖)(de )犯(fàn )人(🎴)(rén )为(wéi )什么成(📆)为怪物。
目标成(🚊)为作(zuò(⤵) )家(jiā )的青(🐾)年李(🤼)钟秀(刘(liú )亚(yà(🚏) )仁 饰),平日里靠兼职(🔔)养活(huó )自(zì )己(🔦)(jǐ )。经营(🍕)畜牧业的父亲(🏪)不谙人情,官司(🐿)缠身,迫(📢)使钟(zhōng )秀(😗)(xiù )又(yò(🕝)u )要(yào )为(wéi )了搭(😢)救父亲而四处奔走。这(😖)(zhè )一日,钟秀在(🌀)某大型(🐀)(xíng )卖(mài )场重逢(📔)了当年的同学申(🐈)惠(huì(🚳) )美(měi )(全(🥍)(quán )钟(zhō(💋)ng )淑 饰)。惠美计(🕘)划近期(🍏)前往非洲旅行(🛂),于是拜托(tuō )钟(🍓)(zhōng )秀(xiù(🎿) )照(zhào )看爱(📡)猫Boil。不(⬜)久后惠美回国,与(🍖)(yǔ )之一同下飞机的还(🎌)(hái )有(yǒu )名叫本(⛱)(史蒂(🐗)文·元 饰)的(😞)(de )男(nán )子(zǐ )。本驾(🔽)驶保时(🚱)捷,居住在(🐂)高级公(🏽)寓内,优哉游哉(💏),不(bú )见(jiàn )工(gōng )作(zuò ),四(💨)处玩乐,和钟秀(🎁)相比(bǐ(🦀) )有(yǒu )如天上地(🗣)下。不知为(wéi )何(hé(🐀) ),本走(📠)入平民钟(🛎)秀和惠(🙀)美(měi )的(de )生(shēng )活(🦊)(huó ),更向(🤚)新朋友讲述了(🕌)他奇特的癖好(🚏)。在钟秀(🌃)家小聚(jù(🥢) )的(de )那(📑)(nà )个(gè )晚上过后(🆑),惠美仿佛人间蒸(zhēng )发(♊)(fā )了一般无影(🎆)无踪…(❓)…
《水族魂1944》电影(🎽)取材于上世(shì(💄) )纪(jì )40年(📇)(nián )代(dài )抗(⏳)日战争(💛)日本投降前夕(💾),发生在贵州三都水族(🕖)自(zì )治(zhì )县(xià(🚛)n )九(jiǔ )阡(😪)(qiān )镇的真实历(🚹)史事件。编剧(jù )多(🖲)(duō )次(🤹)实地采风(🤹)走访,在(👄)(zài )走(zǒu )访了当(🦁)年亲历(📥)者和掌握大(dà(🐙) )量(liàng )的(de )史(shǐ )实(🙁)(shí )资料(🚶)后,通过写(🛌)实的(🦋)手法再现了当年(🤕)水族人民英(yīng )勇(yǒng )抗(🎧)(kàng )击(jī )日本侵(🏳)略者的(👬)故事,体现了(le )中(🆙)国人民抗击侵(🤘)略者(zhě(📦) )的(de )决心,谱(💈)写了一(😜)曲贵州少数(shù(🍌) )民(mín )族(zú )人(rén )民抗击(🗼)日本侵略者的(👇)英雄赞(🚉)歌!《水族魂1944》这部(🦏)(bù )电(diàn )影(yǐng )在(zà(🍖)i )抗日(🙀)战争爆发(🚨)80余年后(🍃)的今天(tiān )推(tuī(😨) )出,其真(🚸)正意义于中(zhō(❕)ng )华(huá )民族抗战(🐈)有益,更(🎰)是贵州(zhō(🕜)u )抗(kà(🤶)ng )战(zhàn )历(lì )史上不(🚝)可磨灭,是光辉(🏬)灿烂,浓(🎓)墨重彩的一笔(♑),对(duì )贵(🧣)(guì )州(zhōu )少(shǎo )数(🍾)民族抗战的肯(💞)定和宣(👖)扬有(yǒu )着(💙)重要的(👯)作用。
阿呆(dāi )和(😜)(hé )阿瓜是一对非常要(♉)好的朋友(yǒu ),他(🌠)(tā )们(men )觉(🍖)得凭借自己的(❇)力量可以修理一(🔘)切,有(🏆)麻烦发生(🎸)(shēng )时(shí(🐈) ),只(zhī )要开动脑(🖋)筋,利用(🧛)手边的工(gōng )具(🗼)(jù )都可以搞定(🎖)。人们总(🌲)(zǒng )会(huì )被(⏲)他们(👓)的“错误”行为逗(dò(🐻)u )笑(xiào ),觉(jiào )得他(🐀)们有点(♉)笨,大部分时间(✒)会把事(🛺)情搞的更糟,但(🧣)(dàn )是(shì )呆(dāi )瓜(🌥)(guā )兄弟(🚴)总能自己(🥈)做的事(🤹)情中找(zhǎo )到“自(💎)己的路”,并(bìng )对(duì )自己(🏹)努力之后的结(🚟)果感到(🌱)满(mǎn )意(yì )。因(yī(🕑)n )为他们坚信一句(🍐)话“伟(🏮)大的创造(🐊)在最开(🦇)始的时候(hòu )也(👴)(yě )不(bú )是(shì )完美的,关(🥟)键的是开始的(🚶)勇(yǒng )气(⛽)(qì )”。
清末民初军(📕)阀四(sì )起(qǐ )战火(🖲)绵绵,老百姓深(➰)陷水(shuǐ(🐲) )深(shēn )火(huǒ )热(rè(💓) )之中,很(🤛)多人妻离子散(🐉),家破人亡。然而(👬)有一座(⚫)偏(piān )远(yuǎ(➡)n )的(de )小(xiǎo )山镇,却独享着(💳)这一片安宁(níng )。但好景(📔)不长,镇上(shàng )突(🥝)(tū )然发(⤵)生了一些离奇(🐭)命案,死(sǐ )去(qù )的(de )都(dō(🦕)u )是村里的(🐧)青年壮(♓)汉,闹的人心惶(🚍)惶。一向夜不闭(bì )户(hù(🔞) )的(de )他(tā )们天还(🍁)没黑就(✂)关门上锁,不(bú(🍼) )再(zài )外出。但这并(⏰)非长久(jiǔ )之(zhī(🦕) )计,镇长(🦂)为此召集百姓(🏍),筹(chóu )集(🎱)(jí )钱(qián )财招揽(💢)能人异士,希望(🏛)能找出(🌮)根源,除去(🏇)祸患。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
Tommy DiNello, a freelance videographer, moves back to North Branford Ct. from New York City after two years on his own. His extremely close cousins, Marie and Dom Jr., are reluctantly accepting their father's new young foreign wife Varya, just two years after their mother's death. Since Tommy's parents moved to Florida when he was away, he has no choice but to stay with his Uncle Dominic and cousin Marie while battling memories of the reason he left town in the first place. His dear friend, Angela and him are reunited, This is bittersweet as she is the only one with clear knowledge and witness of his past.